Thursday, January 5, 2012
Dowsing - All I Could Find Was You
This is the third day in a row that I’ve reviewed an album released by CYLS (Count Your Lucky Stars). You know why that is? Every single band on that record label is brilliant. I honestly feel like I found some new, revolutionary alternate energy source or I discovered a brand new gold mine or something. Or maybe it’s more like when you’re hiking through the woods and you come across a rock that's shaped precisely like male genitalia, and you’re like, “woah! That’s crazy,” and then you go and tell everyone and they’re all like, “dude, I’ve seen that rock plenty of times before and I’m already aware of how great it is.” I hope nobody feels confused or excluded by that shitty analogy. What I’m trying to say is: CYLS isn’t new (they’re on their 5th year), but they’re certainly new to me. So, I’m pretty excited.
Not unlike the other CYLS bands I reviewed (Empire! Empire!, Annabel, The Reptilian, Warren Franklin, Joie De Vivre), this band Dowsing from Chicago are a breath of the freshest air. Their new EP ‘All I Could Find Was You’ is packed with 6 of the most heartfelt songs I’ve heard since Shinobu or Arrogant Sons of Bitches. This 4-piece emo-indie group know what they’re doing, and what they’re doing is melting our faces and breaking our hearts.
The EP kicks off with “Driving,” which is the perfect blend of poppy feels and scathing vocals. Dowsing remind me a lot of what it would be like if Warren Franklin was part of full band rather than just a one man ninja army musician. The rest of the album continues in this manner: infectious vocals matched up with infectious clean guitar leads and an abundance of simple, poppy chord progressions. I feel like this band could easily act as a buffer between pop punk and emo. If you’re really into pop punk and then you check out this band, you’ll likely be all like, “oh man, this is right down my alley, but new at the same time!” And if you’re into emo and check them out, you might find yourself jamming out to Handguns or The Dopamines just a couple days later.
The album closes with “Joking/Laughing,” which is probably one of the best album closers I’ve ever had the pleasure of witnessing. There’s a cathartic build up followed by a veritable musical explosion (well, really just it’s keyboard, guitar, bass, drums doing what they do best) paired with great gang vocals. It’s a great ending to an awesome release by a superb group of rad musicians. ADJECTIVES!
Check out Dowsing’s ‘All I Could Find Was You’ over on their bandcamp page, and pay a visit to the CYLS bandcamp to check out loads of other awesome bands!
-Idle
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Wednesday, January 4, 2012
Warren Franklin - Your Heart Belongs to the Midwest
Today is a good day. My only real reason for saying that is that this album I’m reviewing right now is nothing less than fucking amazing. Warren Franklin is an acoustic punk deity. For real. He plays this acoustic brand of emo/indie/punk goodness that absolutely everyone in the world would probably love. Infectious vocals, emotional lyrics that pull you in, and the occasional percussion and horn work added into the mix. This is all made special by the absolutely amazing vocals that top it all off. Warren’s voice is the perfect blend of raspy and endearing. I think I’m in musician love.
Warren Franklin did us all the amazing favor of releasing a second full length titled ‘Your Heart Belongs to the Midwest’. The album is packed with 12 songs that make you want to immediately leave everything behind and get in some shitty Econoline-esque van and hit the road with your other folk punk friends and play a bunch of house parties for people just as lost and fucked as yourself. Maybe that’s just what the songs do to me, actually. They might paint an entirely different picture for you...and that’d also be awesome.
Songs to be sure to check out for this release would definitely have to be “Bro Downs Know No Bounds”, “You Get Weary”, and “St. Peters”. Actually, you should just listen to the entire album through like 50 times. It’s probably my favorite release of 2011. It’s definitely somewhere up there on my top list. You can check it out on bandcamp for free if you don’t believe me. Be sure to check out the rest of the dudes on Count Your Lucky Stars too!
-Idle
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Tuesday, January 3, 2012
Annabel/Empire! Empire! (I Was a Lonely Estate), Joie De Vivre, The Reptilian split 7"
Emo-centric record label Count Your Lucky Stars recently released a 4-way split between the bands Annabel, Empire! Empire! (I Was a Lonely Estate), Joie De Vivre, and The Repitlian. I guess you probably figured that much out by reading the title, though. However, what you may not have figured out (unless you're already a fan of these bands) is that this split is really, really good.
The split kicks off with Annabel, an awesome mid-90s emo styled indie rock group with quite a lot to offer. Their song for this 4-way split boasts excellent guitar leads and is probably one of the happiest sounding songs I’ve heard since reviewing Bomb the Music Industry earlier this year. Actually, this band reminds me a lot of that new BTMI record, but I guess it would have to be vice versa since I’m going to have to assume Annabel have been playing in this style for quite some time now. BTMI is trying to sound like Annabel. There we go.
The second song on this puppy is by this band called Empire! Empire! (I Was a Lonely Estate). I’d be lying if I didn’t say that this band reminds me a shit load of the band I just reviewed in the previous paragraph; the only real discernible difference being the vocalist. That’s not to say I don’t fucking love this song; because I totally love this song. The vocals sound anxiety ridden and desperate, and that’s exactly the kind of thing I dig about this genre. I feel like I’m being emotionally thrusted into the song and I can’t lie and say I don’t like when that happens. I like when that happens.
Joie De Vivre manage to change the tone of the album to a more depressing sound...at first. Then the horn bits kick in and you forget all about that. It’s easy to see why these bands have all been label mates for the past 5 years. They boast a fairly similar style and they’re all pretty damn awesome at what they do.
A challenger has appeared.
The EP finally changes tone almost entirely when The Reptilian’s song comes on. The style isn’t really drastically different (desperate vocals, drum beat changing at odd times, clean guitar leads), but at the same time it’s completely different. The vocals are raspy as hell and remind me a lot of that dude who scream in A Billion Ernies, and I love it. The song just feels more interesting overall, even though it’s not a song you can really sing-a-long to (pop punk kid problems). The Reptilian came in at the end of this already rad EP and made it even radder. Awesome.
You should check out this EP if you’re a fan of bands like Rites of Spring, American Football, Fugazi and all that good stuff. Even if you’re not, this EP might make you a fan of the genre after all. So, here’s a link to the bandcamp page and here’s a link to the record label. Have fun with all that.
-Idle
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Monday, January 2, 2012
Summer Salt- The Places You Call Home
Summer Salt is this really awesome indie/folk pop band from Bloomington, IN. Not only are they from one of the coolest towns in the US, they're really fun to listen to. They have seven members, wow. Emi Knight fronts the group, joined with Ali Homan, Jenna Beasley, Dave Segedy, Jess Childs, Micah Bontrager, and Oliver Ceelen. They released this in June of 2011.
The music is really calming and sweet. It reminds me a little bit of Eisley, actually. The first song, "The Sun" is a cute short track that fades into a more energetic song, "Emi Completely." The lyrics are really, really nice and the girls do amazing harmonies. "Heart Races" is another slow one, with a great beat. "Learning So Much" is probably one of my favorites... Really sweet song with great melodies. It's just so fucking cute. I love the lyrics and I'm obsessed with Emi's voice.
"Tiptoe Dancers" has the best, best best harmonies! Oh, and the bass is like chocolate raindrops. No lie. It is exactly like that. I love the guitar in "I Saw You Coming." This song is almost a little jazzy, which I enjoy.
"A Love Song" has nice picking and cute lyrics. "Mosquito" is super fucking addicting.
I could go on, but I won't. It's really cute mostly-acoustic and sometimes-electric indie pop that will make your insides go "squee." It's extremely creative and talented,but it's pretty simple. It's very mellow. How many other sentences can I start with the word "it's"? Who knows.
I think I'm going to start falling asleep to this. It's awesome.
-Bear
Interview with Slingshot Dakota (Top Shelf Records)
Infectious indie rock/punk duo Slingshot Dakota are on the verge of making their debut on Top Shelf Records with a new full length, and we were blessed with the opportunity to shoot them a few questions regarding it over email. They’re awesome and you should be as excited as we are about this upcoming release!
How would you two compare your Top Shelf Record debut release with your 2008 album ’Their Dreams Are Dead, But Ours Is the Golden Ghost?’
Our new record has the same honesty that "Their Dreams Are Dead" has, except it's a bit more dark and introspective. Since the release of "Their Dreams," we've lost our friends to tragic accidents and encountered a lot of hardships in our lives that felt impossible to overcome. The new record focuses a lot on what was going on in our lives the past few years, and how we can possibly move on. We're still earnest and hopeful, and we're still pouring our hearts and souls into the music, it's just in a more real and difficult way. With "Their Dreams," we were trying to prove that we could be a kick-ass two piece band. You can hear it in the record; it's very impulsive. Now that we've let our friends and fans know that we can form a band that's as punk, or loud, or whatever as the next band, we're writing songs that we really want to write. And those songs aren't just about "doing what you love" anymore. It's about living.
I know there was definitely a lot of positive feedback for ‘Golden Ghost', because I’m pretty sure I heard praise of the record from like everyone and their mother. Plus I loved it. Would you say this created any sort of stress for attempting to top it in the future?
I think it creates the same amount of stress that any band encounters! Because writing a great record is relative, and we think "Their Dreams" AND the new record are amazing; they're just different. The Golden Ghost has this child-like positivity to it that we still believe in, but the new record is about how our positive attitudes got shaken up when life happened. It's hard to believe in yourself or your friends or humanity when terrible things happen. So, I guess people might be bummed out that we're not singing the same anthems as what's on the Golden Ghost, but we're still trying to get them out. The positive hope is still in there, it's just shaken. Also, to try to "top" any record or song isn't how we view songwriting. We just try to write what we love and convey some kind of message in our music, or we just hope that someone can relate to what we're writing about. That's more meaningful to us than writing the newest hit song.
I saw on your twitter page that somebody considers your live show to be preachy, and I guess they also thought of this negatively. What are your thoughts whenever something like this occurs? I’m hoping you have the Propagandhi approach to it (sarcastically releasing a record titled ‘Less Talk, More Rock’.)
Oh yes, the anonymity of the internet!! It gets hard, because I have this natural tendency to want to please everyone. I don't go online and search anymore, and if I do see something negative, I usually leave it alone or confront the person about it (if it's something messed up). I don't care if people don't like our band; I don't like a lot of things. I get it! It's cool. But, when you are writing on "punk" message boards about my boobs and how Tom is a "faggot" and you don't want to hear us talk about how rape isn't okay, then seriously, what are you doing here? Honestly, what are those people doing in life. It gets frustrating. But we just keep talking about it anyway. That's how I grew up liking the bands I like to this day.. I liked knowing what their songs were about. And people don't have to like that about us, too. I get it.. you don't have to like a band talking a lot in between songs. But, 1.) we're old. we need breathers. and 2.) the things we talk about are absolutely important to us and we WANT to talk about them in hopes that it reaches someone who needs to hear it, or someone who needs to feel like they are not alone. If you aren't into bands that talk about their songs, well, you probably won't like us. But you can't possibly call yourself "punk" or in my opinion, a good human being, if you can't appreciate a band taking the time to talk about rape, sexual assault, any kind of violence in hope that it HELPS someone.
How did working with Topshelf Records come together? Did you approach them or did they approach you with the idea of working together to release the upcoming record?
After releasing the Golden Ghost by ourselves, we realized we wanted to be touring a lot and we wanted our music to be our jobs. Putting out your own record is the best thing you can do; you can give it away to people who don't have enough money, you can take your time, you don't owe anyone anything. But there are things as a band that you can't do, or afford. In order for us to tour all the time, and possibly go on tour with bands we couldn't reach ourselves, we realized it was time to reach out to possible labels who could help us out. Tom did all of the contacting and research on labels that he respects and looks up to, and Topshelf was one of the first that came to mind. We sent them a demo my cousin did a year ago, and luckily they decided to work with us on our new release.
You guys are doing a mini-tour this winter with The World is a Beautiful Place & I Am No Longer Afraid to Die. That sounds like it’s going to be a lot of fun. Do you have any more planned tours on the horizon? Is there anywhere you’ve been really wanting to tour to but haven’t been able to put it together yet?
We are beyond stoked for our upcoming minitour!! Our last tour was another mini-tour with Now, Now and Mansions, two bands we absolutely love. So it's awesome to go on another mini-tour with The World Is, because not only do we love them as people but their music is amazing and we will get to see them every night! We plan on doing a tour in the spring that coincides with the release of our record, and it will be a full-US tour. We would LOVE to go back to Europe and we'd also love to visit Australia, as we've never been there!!
If you were to compare your band’s style or message with any other band (or person, or anything really), what would be the comparison you’d make?
We always describe ourselves as a two-piece indie band with the energy of a punk/hardcore band. We're pretty poppy if you just turn on a CD and listen, but if you see us live, you get a whole other story. You get a lot of talking, as mentioned above. You get a lot of stupid jokes. But, you also get a lot of head banging and broken drum sticks and keys. We put everything into our performance, because it is what we love to do. Music is our hearts, and we do a lot of driving and work a lot of part-time jobs to be able to play the shows we play, so once we get to play, we go nuts.
People love comparing us to other 2 piece bands that we don't sound like at all (Matt & Kim, really?!). It's like comparing The Beatles to Weezer because they all have 4 members. It's not that easy, people!
Thanks for doing an interview with us! I hope everything goes smoothly with the tour and release!
Be sure to check Slingshot Dakota out if you haven’t already! Amazing band and amazing people.
-Idle
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Sunday, January 1, 2012
Lee Corey Oswald- Moon Songs
Lee Corey Oswald is a folk punx duo that has expanded into a full-band for it's LP debut, Moon Songs. They hail from Portland. The songs are honest, catchy, and heartfelt. It was released on cassette in December of 2011, and will soon be put on an expanded release, too. :) RIYL The Good Life meets Against Me!. Kind of. More like the Motorcycle Industry.
Have you guys ever wondered what it would sound like if a kitten, a unicorn, and Mike from Monsters Inc started a folk punk band together? That sounds nothing like Lee Corey Oswald. It's like a reverse analogy, because that hypothetical band would sound like shit. They would probably be cute, though.
In all seriousness, this release surprised me.
It sneaks up on you.
At first, you're like "Eh. Pretty good." and then all the sudden you want to rewind tracks. And then you're replaying the album... And then it hits you.
This release is great. The lyrics are fantastic. I'm not too crazy about some of the melodies or guitar lines, but the badass vocals, lyrics, and bass/drum beats fully make up for it.
The cassette tape came with these badass little cards made up of fancy paper with all the album info printed on it. I love it. The person that made these is a kickass human being. The first thing I noticed when I looked through them was "holy shit there are a lot of instruments in this band" and then I started to hear it.
Oh, and they thank Satan in their thank yous. It was adorable.
"Dream Song" is by far my favorite track. The keyboards are fucking adorable. You guys have no idea. The lyrics are fantastic. The melody is really, really addictive.
"Stare At The Moon" is another fantastic one. I love it. It's very catchy, upbeat, and the picking style is gorgeous.
Honestly, it's hard to find things about this album to criticize... Check them out!
-Bear
Museum Mouth- Sexy But Not Happy
Museum Mouth is an indie band from Southport, SC. They've been together for a few years now, and this is a January 2012 release! Woo! They are Karl Kuehn (see also) on drums and vocals, Graham High on guitar, and Kory Urban on bass. RIYL Hymie's Basement, SWTHRT, Lovvers
This album is a pretty interesting sound. I absolutely love the album booklet, first off. The pictures are adorable and funny. It starts off on "Goodbye, Evan" which has a pretty good melody. I really like the guitar line, but it's a little redundant, to be honest. "Sexy But Not Happy," the title track, wins the award for the best track name and probably the best song on the album. "Big Problems" is another one that I liked, it has a really nice drum rhythm to it.
It has a very interesting mix of lo-fi and pop punk to it. It's very guitar heavy and is pretty dance-y. To be honest, I think it loses me on some of the tracks. But that's not because it isn't good, it's just not catching me, I suppose.
The lyrics are really really great and the melodies are fun, too. Overall, I would say it's a good. album. It's not my favorite, partially because it's just not my genre and partially because I've heard it before. It's definitely got it's catchiness to it, though. I would say it's good driving music, probably.
I think this band is going to have those people that absolutely love it (most definitely) and people that can't stand it. I'm somewhere in between, leaning towards the first.
Check them out! :) If I'm wrong, tell me I'm super wrong and threaten to fight me. Or something. Maybe we could just play it in the car together.
-Bear
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